As a club and former radio dance-radio station DJ, as well as a man that is completely secure in my masculinity, I am not afraid to admit that I enjoy some Madonna music. I think it’s due to my age that I haven’t really enjoyed a lot of Madonna’s stuff since “Erotica” (with the exception of “Confessions on the Dance Floor”), but when I hear a track from the early Madonna days (before the turkey skin), I can usually be found at least tapping a toe or two.

Random fact: my father and I spent Christmas morning 1990 watching the videocassette single of “Justify My Love” together. I believe we were watching it for different reasons. Maybe not. Who knows actually, my father wasn’t the chatty type. He grinned a lot, though.

I have three favorite songs by Madonna, one of them not being “Vogue”, though it was my moves to “Vogue” that got me the paid gig dancing on a speaker in a bar in Boston where I got to keep at least some of my clothes on. As I type the latter half of this paragraph, I wonder if I have ever shared this story with anyone that I call family.

I digress.

My three favorite Madonna songs (god that makes me sound gay) in chronological order are:

1. Physical Attraction, from her first album called “Madonna”.  I used to have a promotional-only copy of the radio edit of this song but it’s long gone to milk crate heaven.  I don’t think there was ever an official video, but there’s a live version floating around on YouTube that’s kind of nifty.

2. Deeper and Deeper, from her album “Erotica”. I have always liked the song and I used to mix this into Robin S’s “Show Me Love” when I was a club DJ.  In fact, doing that very thing the other night prompted me to write this blog entry.  Another quick aside, for one second you can see Madonna’s former pal Sandra Bernhard in the video.

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Sandra is not the one with curly hair.


3. Jump, from her album “Confessions On A Dance Floor”. Personally I enjoy the extended mix of this song (not remix, just a longer version) and I don’t think this track got the justice on the charts that it deserved. Maybe it’s because the video was boring.

Honestly, I’m more apt to listen to a country track or something on 70s on 7 or 80s on 8 before listening to Madonna these days, but once in a while it’s fun to spin these tunes up and tap my toe a bit.

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The Sign.

We can blame Erik for this nugget of music video goodness.

Here’s Ace of Base with “The Sign”. All four members of Ace of Base are not only beautiful, they’re Abba-beautiful.

Stars On!

I didn’t know this megamix existed until a few hours ago. I’ve never heard of “Girls Aloud” but I really like this medley they released back in 2009. The clap track goes through the entire megamix! Awesome!



I didn’t get a DJ gig I was vying for. It was a one-time gig at a special event. I must be getting old. Gotta admit I’m a little bummed about it. I’ll just go back to sitting on my porch, spinning tales of my radio days and making sure the kids stay off my lawn.

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This is a notification of the SigAlert system. I have changed my Twitter and Instagram names to DJSuperCub. I repeat, I have changed my Twitter and Instagram names to DJSuperCub (update: I lied.). What’s old is new again. What resonates will always resonate.

Keep on resonating, baby.


I thought I’d give your mid-week a little kickstart with some Kylie.

From 1988, here’s “I Should Be So Lucky” (the alternate video) by Kylie Minogue.

These Dreams.

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So last night I spent the night at the Holiday Inn closest to work. I didn’t get the best of night’s sleep, but I did manage to get enough to keep me productive throughout the day. Worried that I was going to sleep through my alarm, I woke up several times during the night. Because of this, I had quite a selection of dreams peppered through my slumber to keep things interesting. For the first time in quite a few nights, I didn’t dream about tornadoes (thanks for taking over that duty, Erik) but instead I had one of my “performance frustration dreams”. These dreams usually come up when I’m worried about not doing well at something and they frequently manifest themselves as something music or radio related; for example, I can’t get CDs into the players fast enough to avoid dead air on the radio or I can’t beat match a mix while DJing at a club, no matter how many times I have been able to mix the two records in question in the past.

Last night’s spin on my performance frustration dreams involved a live performance of the group Heart. In my dream I was one of their sound engineers for this comeback concert, and I was in charge of making sure the recorded music augmented their live performances perfectly. Because I had to make sure the tracks matched the instruments, I was challenged with playing vinyl records that had been recorded at home. And because it was a rowdy crowd, I had to spin the record on top of a beer bottle while holding the needle in place. I couldn’t let the record wobble in any way or else Nancy and Ann would sound all warped, and that would be bad. The record ended up falling off the top of the beer bottle and the whole show slowed down into a warbling, draggy sound. Just as everyone was looking at me for messing up this comeback tour, my dream morphed into something more interesting that didn’t involve frustration at all.

That all being said, because of last night’s dream, this track has been my ear bug, playing over and over. If you follow me on Rdio, you’ll notice that I have played this track several times today trying to get it to move back into my enjoyment category and out of my repetitive category.

So, out of respect for the Wilson sisters of Heart, and with my apologizes for wobbling the record that was spinning on top of the beer bottle, here they are with their 1987 hit, “There’s The Girl.”

Great track, by the way. I LOVE the backup vocals on this. Interesting, melodic backup vocals do a lot more for me than lead vocal acrobatics.